Tellytales
Wednesday, 17 February 2010 by Christian

Tellytales

From July 2008 I’ve been based at Dinamo Productions in Cardiff. My first project at Dinamo was working on Cbeebies TV show Tellytales, 25 10-minute episodes telling stories – some famous, some not so famous – from around the world, including fairy tales such as Jack and the Beanstalk, and Rapunzel. This video features just a few of my shots from the show, with greenscreen comparisons.

The series was filmed in HD entirely in front of greenscreen at BBC Wales, each story acted out by school children in costume who would later be superimposed into environments created in After Effects. The artwork we used to create the backgrounds was all painted by children at specially supervised sessions in schools across Cardiff.

I had two roles on the show – On-set Visual Effects Supervisor, and Lead Compositor working with a team of up-to 5 other compositors who comped around 3,000 shots for the series.

As well as the challenge of keying 3,000 shots, we also had to build many unique environments for the characters to inhabit with a two-week deadline for each episode!

The show aired in March and September 2009, following a grand premier at CineWorld in Cardiff.

Iceni Cape Town Animation
Tuesday, 16 February 2010 by Christian

Iceni Cape Town Animation

I was commissioned by award-winning video production company Iceni to produce this graphic showing a plane travelling from the UK to Cape Town in South Africa for a corporate film. The animation was done using After Effects.

24-Hour Film Challenge 2008
Tuesday, 16 February 2010 by Christian

Head Ripping VFX!

This is a shot from a 5 minute film we made for a 24-hour film challenge, featuring a cursed scarecrow ripping the head off an unfortunate victim before going on a killing spree! The actor playing the victim (my wife, Kim) wore a collar with two LEDs to help me track her motion as she fell out of frame. Due to the rush – the shot had to be composited within the 24 hours we had to shoot and edit the film – I did the roto on her falling out of frame, and then realised she needed to be scaled up to match the head position better, hence the matte looking a bit choked!

This is pretty much the shot that made it into the film, but I’ve added a bit more gore since.

This was done in After Effects at about 1am, while my cohorts were editing. Unfortunately we didn’t win the competition, probably because it runs out of steam once it moves indoors!

Jovian Corporate Graphics
Monday, 15 February 2010 by Christian

Jovian Animations

I have been commissioned four times by Worcester-based production company Jovian to produce graphics for their corporate video productions. In each case I’ve created intro sequences, as well as section titles, and Astons (name captions). This video shows a few of the intros, and a brief map tour of the UK showing a timeline of Selco stores opening.

HR4 Military Trailer Animation
Sunday, 14 February 2010 by Christian

HR4

I was commissioned by Hereford-based training company HR4 to produce a number of animations of a new military trailer for a training video. Using CAD data from the manufacturer I assembled, textured, rigged and animated the trailer in Maya. This mini-reel shows some of the animations, plus an animated version of their logo to accompany the video.

Day-to-Night Conversion
Saturday, 13 February 2010 by Christian

Day-to-Night VFX

This was a personal project, and one of my first truly complex comps. I’d heard it was a useful skill to know how to convincingly turn a shot made during the day into night-time, so I decided to try. I’d seen Andrew Kramer’s day-to-night tutorial and thought I could do something a bit better (sorry Andrew!). The resulting comp was done in After Effects, and had over 50 layers and numerous pre-comps to deal with reflections, etc. The hard work paid off as it was the standout piece on my reel that got me my current (and first proper) VFX job at Dinamo!

Spider Mouse
Friday, 12 February 2010 by Christian

Spider Mouse!

I created this animation for a SimplyCG.net “Transformers” competition, and won third place. I used Maya for 3D, pfHoe for matchmoving and After Effects for compositing.

I filmed my desk with a video camera and matchmoved it to add the sinister CG creature in later. You might be interested to know that there’s no cheating – all the spider’s parts fit rather neatly inside the mouse shell, with no parts clipping any other (and therefore there’s no swapping of models part-way through). Given an advancement in robot technology, this might one day be made real!

Older Motion Graphics Work
Thursday, 11 February 2010 by Christian

Old Stuff

This reel shows a number of my early motion graphics work, for both corporate videos and personal projects during 2006 and 2007. In order they are:

  • Ready, Set, Go – a personal project made using After Effects
  • big and clever films Logo – I made this using Maya for my (now defunct) film production company big and clever films
  • Birmingham Map Tour – this After Effects animation was made to show all of the drug treatment centres in Birmingham for the Birmingham Drug Action Team (part of the NHS and Birmingham City Council)
  • Express Awards – this animation introduced each nominee for National Express Group’s Express Awards 2006
  • Leadership DNA – all of the directors of National Express Group asking the question “what are you made of?” zooming out to the DNA of the title

One-or-two of them are a bit cringeworthy now (I was learning After Effects as I went!) – I’m only putting them up here for posterity; Rather than showing off my skills, they’re more for inspiration!

Impact Day Visual Effects
Wednesday, 10 February 2010 by Christian

Between 2006 & 2007 I produced 70 visual effects shots for Mat Dolphin’s 60-minute disaster comedy Impact Day. Originally Mat had intended to shoot all his effects practically using models, but as the script grew more in scale it soon became clear that a CGI approach was needed.

I modelled, rigged and animated all the 3D elements in the film including the space shuttle model, the satellite seen early on in the film, and meteors using Maya, with Adobe Photoshop for textures. This was my first visual effects project so there was a huge learning curve! I then had to composite the shots, some of which involved greenscreen keys (another first for me!) using After Effects.

This reel shows a few of the shots, accompanied by the end-titles theme “Death Wish” which I co-wrote with Pete Swinson (who composed all the music for the film). If you listen closely, you can just about hear me singing backing vocals during the chorus…

Impact Day VFX

This breakdown shows the elements that made up the launch of shuttle Foolhardy. I didn’t have time to build the launch tower, so instead there’s a very long ladder propped up against the side of the shuttle. But that’s okay because in the story the shuttle was somehow stolen from NASA and parked, ready to launch in a field in Solihull, and if you believe that, you’ll believe anything!

Shuttle Launch Breakdown